We are Blood and Thunder
Kesia Lupo
Lena is desperate to escape her life as a cryptling serving the Duke’s Forest Ancestors – but instead finds herself needing to escape to survive after she is branded as a mage. Constance is a mage trying to find her way back into the Forest after her flight many years ago. Both of them are somehow connected to the storm that is slowly killing the Duke’s people, but can they realise this in time to save anyone?
You won’t see the twists coming in this novel. I feel like even mentioning that there is a twist might give things away. In addition, I liked the idea that magic could be aided or changed by adding clockwork elements, and I think more could have been done with this.
I didn’t get a sense of how large the world was. It seemed absurd to me that Duke’s Forest could be a walk away from the King. I didn’t even see the King and it seemed like this important figure was just invisible behind the potential Radicals. So some important things also seemed inconsistent – the change in Constance’s magic. I thought it was purple? And then it turned out to be white.
What I couldn’t believe, and what spoiled the book for me, was the romance aspect. The relationships that develop seem to be fragile and tenuous from the way that the characters spoke, but then their actions said that there were some strong feelings going on.
I could have seen more about the various religious/God sects which I thought were introduced but not properly discussed. Perhaps this will be explored in the not-a-sequel set in the same world. 3 stars for this one due to the disappointing characters, but I expect to see more good things from this author.

Bloomsbury | 1st May 2019 | AU$16.99 | paperback








I was excited for this novel because I hadn’t read a good adult fantasy in quite a while and anything with dragons is bound to take my fancy. Sadly, the dragons (wyverns) were on the evil side of things most of the time, and the good dragon riders hardly figured in the picture with their dragons. It was inevitable that the Nameless One would be freed – everything was just a quibble about how long it would take and who would be responsible for its death.

In these novels, Sanderson breaks all the writing conventions, especially the ‘fourth wall’. The author (Alcatraz) is writing these memoirs and is fully aware of how writers make novels and how to make readers cry out in anger! Particularly with meandering introductions to chapters or going off topic, or just generally being irritating. It’s a style of writing that is either going to drive you crazy or have you laughing out loud.

Ugh, take me back to the older style Elemental Master’s series! I don’t care that they were ‘just’ re-imagined fairy-tales. Yes yes, it’s important that the psychics and the clairvoyants (and Celtic Warriors) get airtime (readtime?) but give me some air elementals any day. None of the other Elemental Masters get more than one novel devoted to them, so why should Nan and Sarah (3 books and counting)?
Half the time Kiron acts very teenager-y and the rest of the time a bit childish! He spends a lot of time second-guessing himself and being grumpy. I’m not certain how many years have passed since the other novels, but I would guess at least 3-4, since there are a lot of new dragon wings (complete wings of 9). If he’s the chief of the Jousters, he needs to get a wriggle on!
The thing for me about this novel was the pacing. It was just so incredibly slow! I figured that the three perspective would end up together eventually, but that ‘eventually’ wasn’t until the end of the novel (trust me, I haven’t spoiled it for you). The multiple perspectives worked against the suspense in this novel. Despite the blurb being very keen to state that there is a price on Hatu’s head, and the Hidden ones ulterior motives, I didn’t feel a sense of danger.
Oh ouch! Those twists! Poor Ophelia. All I could think of was Shakespeare’s Hamlet, where the hapless Ophelia drowns herself. In comparison, this Ophelia is pretty spunky! I think she is quite brave for surviving in that toxic environment.
What I wasn’t too convinced by was Kalina’s ‘secrets and lies’. I’m pretty sure that except near the end, Jovan knew most of her secrets. I do agree with Kalina that Jovan should back off sometimes, because she needs the right to look after herself for a change. The interplay between the siblings was really believable.